Louise Voll Box In 1922, the English writer George Somes Layard commented that: “A series of marks on a print is its diary: the fate and journey of many a masterpiece can be thereby traced until it finds at last its permanent home in the Museum.”[1] Layard succinctly foreshadowed what…
Anastassiia Alexandra Botchkareva Given the tumultuous political climate in eighteenth-century Iran and India, and the related falloff in imperial patronage of the arts of the book, it is perhaps unsurprising that the history of Persianate albums of this period remains largely unexplored.[1] While a number of Indian albums commissioned or…
The exhibition Michael Eden: Form & Transform is at Waddesdon Manor from May 25–Oct 21 2018. In November 2016, I visited Waddesdon Manor for the first time (Fig. 1). Coming up the long driveway, I noticed a series of decorative sculptures that were all wrapped to protect them from…
Ewa Lajer-Burcharth, The Painter’s Touch. Boucher, Chardin, Fragonard (Princeton : Princeton University Press, 2018), 336 pages. The Painter’s Touch. Dès son titre, ce beau livre introduit son lecteur à la riche polysémie d’un mot qui, en anglais, signifie à la fois la touche en peinture—construite au dix-huitième siècle comme un élément…
Dans le cadre du programme A Place at the Royal Table, Corinne Thépaut-Cabasset organisait le 22 juin une journée d’études au Château de Versailles intitulée « L’Ananas, le fruit roi », pour montrer comment sa culture avait préoccupé les botanistes et les jardiniers et ses formes nourries l’imaginaire des arts décoratifs à l’époque…
Artists & Robots is at the Grand Palais in Paris from April 5 to July 19, 2018. It is accompanied by the catalogue Artistes & Robots, ed. Laurence Bertrand Dorléac et Jérôme Neutres (Paris : Réunion des Musées Nationaux, 2018) Artists & Robots, an exhibition currently on view at the…
Catherine Walsh Nine sculptures made from eight blocks of marble comprise the Juno Fountain commissioned by Cosimo I de’ Medici (1519-1574) for the Sala Grande of the Palazzo Vecchio (Fig. 1). The sculptures represent Juno, Ceres, Arno, Parnassus, Florence, Temperance, two peacocks, and an arc around and within which…
James Tice The 1748 Pianta Grande of Rome (Fig. 1) by Giambattista Nolli (1701-1756) is a milestone in the history of cartography. Its copious size (1760 x 2085 mm), intricate detail, and accuracy have made it an essential document for studying the architecture, landscape architecture and urban structure of Rome…
Marion Romberg Objectives of the Project During the late Renaissance, around 1570, humanists developed a new “shorthand” way for representing the world at a single glance: personifications of the four continents (Europe, Asia, Africa, and America). While the continent allegory as an iconic type had already been in use…
Paul Niell The criticism leveled at the United States and European nations for their inadequate responses to the devastation of various Caribbean islands—among them St John, Dominica, Martinique, Puerto Rico—by Hurricanes Irma and Maria in September 2017 reminds us of the imperial histories that have shaped the region as…