Shilpa Shah and Rosemary Crill, The Shoemaker’s Stitch: Mochi Embroideries of Gujarat in the TAPI Collection (New Delhi: Niyogi Books, 2022). 220 pages. ISBN 9789391125455. The detailed image of chain-stitch embroidery that wraps around the cover of The Shoemaker’s Stitch hints at the attention to technique and creative process that…
Scripts of Blackness: A Review – by Ellen R. Welch
Noémie Ndiaye, Scripts of Blackness: Early Modern Performance Culture and the Making of Race, RaceB4Race: Critical Race Studies of the Premodern series (Philadelphia: University of Pennsylvania Press, 2022). 376 pages, 8 b&w halftones, 12 color images. $64.95. ISBN 978-1-5128-2263-2. This book’s striking cover design cites a costume print produced by…
Artist’s Notes: Nm’ultes is an Active Dialogue III: Nm’ultes Will Return into Your Wisdom – by Michelle Sylliboy
Editor’s Note: The last of three installments, this intervention by L’nu interdisciplinary artist, poet, and scholar Michelle Sylliboy offers an Indigenous perspective on the ongoing impact of Nouvelle Relation de la Gaspésie (Paris, 1691) by French missionary Chrestien Le Clerq, which is part of the eighteenth-century colonial archive of Indigenous-settler relations on…
Dare to Know: A Review – by Oliver Wunsch
Exhibition: Dare to Know: Prints and Drawings in the Age of Enlightenment, Harvard Art Museums, Cambridge, Massachusetts, September 16, 2022 – January 15, 2023. Pictures produce knowledge. The premise is uncontroversial, but the role that visual representation has played in intellectual transformations throughout history is often difficult to pinpoint. Diagrams…
Madame de Pompadour and Sèvres Porcelain: A Review—by Alden R. Gordon
Rosalind Savill, Everyday Rococo: Madame De Pompadour and Sèvres Porcelain. 2 vols. Norwich: Unicorn Press, 2021. 1211 pp. $275. ISBN 978-1916495715 Dame Rosalind Savill’s Everyday Rococo: Madame de Pompadour & Sèvres Porcelain is a magnificently produced two-volume study of the early development of the Sèvres Porcelain Factory, from its origins in…
“White when Polished:” Race, Gender, and the Materiality of Silver at the Toilette
Dani Ezor In 1739, the seventeen-year-old Henriette Julie Gabrielle de Lorraine, daughter of Louis de Lorraine, prince de Lambesc, was sent to Portugal to marry the 55-year-old Jaime de Melo, duc de Cadaval. While the two families were tied by a previous marriage, this union was of paramount importance. The…
Silver Thread Textiles: Industry, Dynasty, and Political Power in Eighteenth-Century Prussia
Christina K. Lindeman In 1744, Antoine Pesne, court painter to King Frederick II called the Great (r. 1740-1786), painted portraits of Frederick’s sisters Luise Ulrike and Anna Amalie in masquerade costume (Figs. 1 and 2). The paintings marked the occasion of ceremonies held after Luise Ulrike’s wedding to the Swedish…
The Asian Silver Chocolatière: The Transpacific World in a Diplomatic Gift
Susan Eberhard “The list of the King’s presents is complete;if you are not satisfied, that is your problem.”[1]—Abbé de Choisy, Ayutthaya, November 11, 1685 Introduction: A Silver Chocolatière with a Bamboo Spout Studies in early modern diplomatic history have focused on the role of gifts in navigating cultural difference and…
An Eighteenth-Century Portrait Miniature on Silver: An Artifact from the Silver Age of Mexico
James Middleton The Denver Art Museum recently acquired an eighteenth-century Mexican portrait miniature painted on silver (Fig. 1). Datable to about 1770 by the sitter’s accessories and hairstyle, it represents a young woman wearing her era’s most formal garment, a court gown.[1] Why was she painted on such a luxurious…
La distinción del cáliz de Puebla de los Ángeles en el s. XVIII, entre dos Mundos
José Andrés De Leo Martínez Entre 1718 y mediados del mismo siglo, en los talleres de Puebla de los Ángeles de la Nueva España, se realizaron una serie de cálices de plata con formas y elementos decorativos comunes que la bibliografía ha marcado como exponentes característicos de la platería angelopolitana…