Reinterpreting Porcelain Figures: A Review – by Noelle Yongwei Barr

Reinterpreting Porcelain Figures: A Review – by Noelle Yongwei Barr

In recent years, many American museums and their staff have staged revisionist interventions, urging general visitors and scholars to reframe, reimagine, and reinterpret European collections. In “Re-Presenting Art History: An Unfinished Process,” art historian Cristina Baldacci ruminates on the prefix “re-” as a hermeneutic tool strategically employed by curators to…

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Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles

Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles

In August 2022, while visiting the new permanent exhibition “Bordeaux au XVIIIe siècle, le commerce atlantique et l’esclavage” at the Musée d’Aquitaine, I encountered a viscerally racist image (Fig. 1). I say that I “encountered” it because the print stages itself as a meeting between the subject and the viewer by…

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