Christina Clarke As a gold- and silversmith, the material knowledge I’ve gained through practice makes metal artifacts as legible as documents: the technical processes used to fabricate them can be read in their forms and textures and the marks over their surfaces. Examining the fabrication of decorative arts gives us…
Blue Lewoz, Mariane Ibrahim Gallery, Paris, France, June 10 – July 23, 2022. Visitors to Raphaël Barontini’s show Blue Lewoz at Mariane Ibrahim’s Paris gallery this past summer were greeted by the imposing figure of Creole Dancer (Fig. 1). The 9 feet by 6 feet collage of an archival photo…
Editor’s Note: Published in three installments, this intervention by L’nu interdisciplinary artist, poet, and scholar Michelle Sylliboy offers an Indigenous perspective on the colonial archive. In Part I: Reclaiming Komqwejwi’kasikl, Sylliboy presented the poetic gift she received from her ancestors that launched her creative journey reclaiming the komqwejwi’kasikl writing system…
Editor’s Note: Published in three installments, this intervention by L’nu interdisciplinary artist, poet, and scholar Michelle Sylliboy offers an Indigenous perspective on the colonial archive. Sylliboy responds to the dehumanizing accounts of her ancestors in Nouvelle Relation de la Gaspésie (Paris, 1691) and reclaims the komqwejwi’kasikl language from its author,…
Crafting Enlightenment: Artisanal Histories and Transnational Networks, ed. by Lauren R. Cannady and Jennifer Ferng (Oxford: Oxford University Studies in the Enlightenment, 2021). 418 pp.; 76 ills. $100 This edited collection started life as a colloquium. The arrangement of the published papers (dedicated to the late and greatly missed eighteenth-century…
Neil Jeffares, Dictionary of Pastellists Before 1800: Maurice-Quentin de La Tour (1704–1788) website, 2021 edition, http://www.pastellists.com/LaTour.htm. French pastellist Maurice-Quentin de La Tour (1704-1788), whose sitters included Madame de Pompadour, Jean Le Rond d’Alembert, and Voltaire, is often and justifiably lauded as a “tour de force.”[1] Neil Jeffares, the author of…
Marika Takanishi Knowles Josiah Wedgwood’s anti-slavery medallion, “Am I Not a Man and a Brother?” (1787), is widely known as an example of the fraught representation of enslaved persons during the eighteenth century. In its effort to promote the abolition of slavery through the design of a fashionable accessory, the…
Alicia Caticha Among the many enduring myths surrounding Marie Antoinette is the bucolic fantasy of the extravagant queen dressing up as a milkmaid at her Hameau, a model village and farm on the grounds of the Château de Versailles. Central to this fiction was Elisabeth Vigée Le Brun’s scandalous 1783…
Christelle Lozère During the eighteenth century, two seemingly contradictory models of sociability emerged in France and Britain. Libertinage, whose sensual and philosophical stakes were perhaps most memorably explored in the writings of the Marquis de Sade, thrived in some aristocratic circles. By contrast, Jean-François Marmontel’s “Moral Tales” of 1761 reflected…
Íris Kantor Milena Natividade da Cruz In April 1754, the French literary gazette Mercure de France announced the publication of five large mural maps made by the geographers Jean Janvier and Sébastien-G. Longchamps, comprising a mappa mundi and additional large maps dedicated to the four continents: America, Asia, Africa, and…