Journal18: a journal of eighteenth-century art and culture
  • Current Issue
  • Future Issues
  • Past Issues
    • #1 Multilayered (Spring 2016)
    • #2 Louvre Local (Fall 2016)
    • #3 Lifelike (Spring 2017)
    • #4 East-Southeast (Fall 2017)
    • #5 Coordinates (Spring 2018)
    • #6 Albums (Fall 2018)
    • #7 Animal (Spring 2019)
    • #8 Self/Portrait (Fall 2019)
    • # 9 Field Notes (Spring 2020)
    • # 10 – 1720 (Fall 2020)
    • #11 The Architectural Reference (Spring 2021)
    • #12 The ‘Long’ 18th Century? (Fall 2021)
    • #13 Race (Spring 2022)
    • #14 Silver (Fall 2022)
    • #15 Cities (Spring 2023)
    • #16 Cold (Fall 2023)
    • #17 Color (Spring 2024)
    • #18 Craft (Fall 2024)
  • Notes & Queries
  • Information for Authors
  • Editorial Team
  • About
  • Contact
Notes & Queries

Shock Dog! New Sculpture at the Met – by Paris Amanda Spies-Gans

Hannah Williams
21st November 2015
Shock Dog! New Sculpture at the Met – by Paris Amanda Spies-Gans

  “The Oddity of her Atchievement [sic] is striking!—The Marble Statues from a Female Hand!—But so it is, and at least in the Work of the Two Dogs, with so much Merit in them, that Bacon himself, or at any Rate the best Pupil of Bacon need not have blushed…

Read More

Notes & Queries

Vigée Le Brun at the Grand Palais – by Benjamin Couilleaux

Hannah Williams
21st November 2015
Vigée Le Brun at the Grand Palais – by Benjamin Couilleaux

  Vigée Le Brun, the most famous female French painter before the Revolution, has finally been recognized by a retrospective in her native country. The Parisian exhibition, to be followed by stops in New York and Ottawa, represents a landmark occasion to appreciate Vigée’s career from the late Ancien Régime…

Read More

  • Next »

NOTES & QUERIES

  • Room for the Lost Paradise: A Symposium – by Jason M. Kelly
  • Reflections on Mai, Joshua Reynolds, and Eighteenth-Century Art — A Roundtable
  • Colonial Crossings: A Review–by Juan Manuel Ramírez Velázquez
  • A Pirate Primer? Review of Stan Douglas: The Enemy of All Mankind – by Lytle Shaw
  • The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva
  • Lethière in Williamstown and Paris: A Transatlantic Exhibition Review – by Jennifer Laffick
  • Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen
  • Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley
  • Provocations from HECAA@30 – Edited by Elizabeth Saari Browne and Dana Leibsohn
  • Liberté, Égalité, Festivité: The Opening Ceremony of the 2024 Paris Olympics – by Matthew Gin
  • Smell of the Sea: A Review of the Musée National de la Marine – by Kelly Presutti
  • Curators’ Notes: Sad Purple and Mauve: A History of Dye-Making – by Clara Drummond and Sarah K. Rich
  • Curators’ Notes: Never Broken: Visualizing Lenape Histories – by Joe Baker and Laura Turner Igoe
  • Portraits of Resistance: An Interview with Jennifer Van Horn – by Elizabeth Bacon Eager
  • Jean-Louis Dupain-Triel’s Carte minéralogique de France (1781) – by Stephanie O’Rourke
© 2025 Journal18: a journal of eighteenth-century art and culture | Theme by: Theme Horse | Proudly Powered by: WordPress