Colonial Crossings: Art, Identity, and Belief in the Spanish Americas (The Herbert F. Johnson Museum of Art, Cornell University, July-December 2024) To welcome visitors, the exhibition Colonial Crossings: Art, Identity, and Belief in the Spanish Americas (July-December 2024) created a large-scale map illustrating transoceanic routes across the Atlantic, the Caribbean,…
Stan Douglas: The Enemy of All Mankind, David Zwirner, New York, September 12-October 26, 2024 Our view is from an odd position, perhaps twenty feet in the air (Fig. 1). We look down onto a clearing within a steeply sloping bamboo forest. In the center, two figures in eighteenth-century costumes…
Over the century and a half of its existence (1648–1793), the Académie royale de peinture et de sculpture amassed a collection of more than 15,000 artworks: paintings, sculptures, prints, drawings, casts, and medals.[1] Its conceptual core was formed by reception pieces (morceaux de réception)—works that young artists submitted for examination…
Guillaume Lethière (The Clark Art Institute, June 15-October 14, 2024)Guillon Lethière, né à la Guadeloupe (Musée du Louvre, November 13, 2024-Feburary 17, 2025) Since last June, museumgoers on both sides of the Atlantic have been able to discover the extraordinary life and career of the neoclassical painter Guillaume Guillon Lethière…
Between 1725 and 1733, Augustus II the Strong, Elector of Saxony (r. 1694-1733) and King of Poland and Grand Duke of Lithuania (r. 1697-1706, 1709-33), acquired an extraordinarily rare Chinese treasure for his Green Vault (Grünes Gewölbe). In 1723, this private Dresden palace royal treasury, originally known as the Privy…
The culmination of the recent Entangled Pasts exhibition at the Royal Academy, London (3 February–28 April 2024) was undoubtedly Lubaina Himid’s monumental work Naming the Money (2004) (Fig. 1). The exhibition itself was an ambitious and highly admirable engagement by the Royal Academy with its own institutional “entanglement” with colonial and…
Responses Absence and Abundance: Thinking Ahead From HECAA@30 – by Jennifer Van Horn The Power of Storytelling and Story-Listening: Reflections on HECAA@30 – by Karen Lipsedge Everything in Between: Reflections on HECAA@30 – by Emily C. Casey and Matthew Gin The Ethics of Study and Display of Ivory Objects –…
On July 26, the 2024 Olympic Games opened in Paris with a pageant staged on the Seine. For the Parade of Nations, tour boats ferried athletes from the Pont d’Austerlitz to a temporary rostrum in front of the Eiffel Tower where they were greeted by President Emmanuel Macron and VIPs…
Paris’s Musée National de la Marine, reopened in November 2023 after a multi-million-euro, six-year renovation, originated in 1748 with a donation of model ships from the naval engineer and renowned naturalist Henri-Louis Duhamel du Monceau. The initial collections were intended for study, open only to students and officers of the…
Sad Purple and Mauve: A History of Dye-MakingSeptember 2023—January 2024Eberly Family Special Collections Library, Penn State This exhibition grew out of a book. Two years ago, the Center for Virtual/Material Studies (CV/MS), housed in the Department of Art History at Penn State, approached the university’s Eberly Family Special Collections Library…