Journal18: a journal of eighteenth-century art and culture
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    • #1 Multilayered (Spring 2016)
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Notes & Queries

Notes & Queries

Blackness, Immobility, & Visibility in Europe (1600-1800) – A Collaborative Timeline

Hannah Williams
25th September 2020
Blackness, Immobility, & Visibility in Europe (1600-1800) – A Collaborative Timeline

This crowdsourced timeline chronicles the representation and regulation of black bodies in Europe, circa 1600-1800. As a tool for research and teaching, it allows users to cross-reference artworks and historical events in spatial and visual relation to one another. For an introduction to the timeline, the collaborative project behind it,…

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Notes & Queries

Blackness, Immobility, & Visibility in Europe: A Digital Collaboration – by Zirwat Chowdhury

Hannah Williams
25th September 2020
Blackness, Immobility, & Visibility in Europe: A Digital Collaboration – by Zirwat Chowdhury

This essay discusses the interactive timeline exploring Blackness, Immobility, & Visibility in Europe (1600-1800) launched on Journal18 in September 2020. With most of his figure cut out of the painting sometime after its completion, only the outstretched right arm of an unnamed black attendant remains on the lower left of…

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Notes & Queries

The Splendor of Germany: A Review – by Shearer West

Assistant
24th August 2020
The Splendor of Germany: A Review – by Shearer West

William Breazeale and Anke Fröhlich-Schauseil, The Splendor of Germany: Eighteenth-Century Drawings from the Crocker Art Museum (London: Paul Holberton Publishing, 2020) Only those fortunate enough to live in or visit Sacramento, California, will have had the pleasure of browsing the collection of the Crocker Art Museum—a cultural hub of the…

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Notes & Queries

Hagia Sophia and Mosque Politics – by Nebahat Avcıoğlu

Assistant
10th August 2020
Hagia Sophia and Mosque Politics – by Nebahat Avcıoğlu

The recent news about Hagia Sophia’s reconversion from a museum to a mosque has generated a flood of commentaries and discontent. This is not the first time that Istanbul’s architectural treasure has been treated as a vector of contemporary ideology (Fig. 1). Yet both the national and international media ignore…

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Notes & Queries

Monuments and Crimes – by Dell Upton

Assistant
25th June 2020
Monuments and Crimes – by Dell Upton

Confronted with mass Black Lives Matter protests locally and internationally, Virginia governor Ralph Northam announced in early June 2020 that the state would remove the statue of Robert E. Lee on Richmond’s Monument Avenue, a late nineteenth-century real-estate scheme built around a series of memorials to Confederate heroes (Fig. 1).…

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Notes & Queries

The Time of Captain Cook: A Conversation – by Julia Lum and Kailani Polzak

Assistant
20th April 2020
The Time of Captain Cook: A Conversation – by Julia Lum and Kailani Polzak

The year 2018 marked the 250th anniversary of the departure of the ship Endeavour from British shores, on course to circumnavigate the globe. In 1768, the Tahiti-bound vessel carried Captain James Cook and his crew of naturalists, cartographers, astronomers, and—unprecedented for this time—professional artists. These milestones were marked by three…

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Notes & Queries

Panipat: A Bollywood film review – by Tanuja Kothiyal

Assistant
20th February 2020
Panipat: A Bollywood film review – by Tanuja Kothiyal

In one of the opening sequences of Ashutosh Gowarikar’s Panipat (2019), a group of eighteenth-century Maratha sardars or chieftains assemble in the famed Shaniwarwada, the audience hall of the Peshwa or Maratha leader in Pune, to celebrate a recent victory. They break out in a song sequence with the words…

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Notes & Queries

The Lost Library of the King of Portugal: A Review – by Kirsten Schultz

Assistant
8th February 2020
The Lost Library of the King of Portugal: A Review – by Kirsten Schultz

Angela Delaforce, The Lost Library of the King of Portugal (London: Ad Ilissvm/Paul Holberton Publishing, 2019), ISBN: 978191268156 In The Lost Library of the King of Portugal Angela Delaforce invokes in vivid detail the material dimensions of early modern libraries. Libraries, she reminds us, are both collections of books and…

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Notes & Queries

Madame Récamier as Tableau Vivant: Marble and the Classical Ideal in Beyoncé and Jay-Z’s Apesh*t – by Alicia Caticha

Assistant
27th January 2020
Madame Récamier as Tableau Vivant: Marble and the Classical Ideal in Beyoncé and Jay-Z’s Apesh*t – by Alicia Caticha

In the 2018 music video Apesh*t (Fig. 1), Beyoncé Knowles Carter and her husband Jay-Z move us through the tourist thoroughfares of the Louvre, all while rapping about their meteoric rise to fame.[1] The chorus, “I can’t believe we made it/This is what we’re thankful for,” is coupled with verses…

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Notes & Queries

The Antoinette Effect: An Interview with Simon Fujiwara – by Sasha Rossman

Assistant
11th December 2019
The Antoinette Effect: An Interview with Simon Fujiwara – by Sasha Rossman

On October 16, 2019—two hundred and thirty years to the day she was guillotined—a new exhibition devoted to Marie-Antoinette opened at the Conciergerie in Paris. “Marie-Antoinette: Metamorphoses of an Image” presented a panoply of pictures of the doomed queen, from nostalgic celebrations to pornographic tirades, from a plumed Miss Piggy…

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NOTES & QUERIES

  • Room for the Lost Paradise: A Symposium – by Jason M. Kelly
  • Reflections on Mai, Joshua Reynolds, and Eighteenth-Century Art — A Roundtable
  • Colonial Crossings: A Review–by Juan Manuel Ramírez Velázquez
  • A Pirate Primer? Review of Stan Douglas: The Enemy of All Mankind – by Lytle Shaw
  • The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva
  • Lethière in Williamstown and Paris: A Transatlantic Exhibition Review – by Jennifer Laffick
  • Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen
  • Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley
  • Provocations from HECAA@30 – Edited by Elizabeth Saari Browne and Dana Leibsohn
  • Liberté, Égalité, Festivité: The Opening Ceremony of the 2024 Paris Olympics – by Matthew Gin
  • Smell of the Sea: A Review of the Musée National de la Marine – by Kelly Presutti
  • Curators’ Notes: Sad Purple and Mauve: A History of Dye-Making – by Clara Drummond and Sarah K. Rich
  • Curators’ Notes: Never Broken: Visualizing Lenape Histories – by Joe Baker and Laura Turner Igoe
  • Portraits of Resistance: An Interview with Jennifer Van Horn – by Elizabeth Bacon Eager
  • Jean-Louis Dupain-Triel’s Carte minéralogique de France (1781) – by Stephanie O’Rourke
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