In August 2022, while visiting the new permanent exhibition “Bordeaux au XVIIIe siècle, le commerce atlantique et l’esclavage” at the Musée d’Aquitaine, I encountered a viscerally racist image (Fig. 1). I say that I “encountered” it because the print stages itself as a meeting between the subject and the viewer by…
Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles









