Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles

Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles

In August 2022, while visiting the new permanent exhibition “Bordeaux au XVIIIe siècle, le commerce atlantique et l’esclavage” at the Musée d’Aquitaine, I encountered a viscerally racist image (Fig. 1). I say that I “encountered” it because the print stages itself as a meeting between the subject and the viewer by…

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Artist’s Notes: Nm’ultes is an Active Dialogue III: Nm’ultes Will Return into Your Wisdom – by Michelle Sylliboy

Artist’s Notes: Nm’ultes is an Active Dialogue III: Nm’ultes Will Return into Your Wisdom – by Michelle Sylliboy

Editor’s Note: The last of three installments, this intervention by L’nu interdisciplinary artist, poet, and scholar Michelle Sylliboy offers an Indigenous perspective on the ongoing impact of Nouvelle Relation de la Gaspésie (Paris, 1691) by French missionary Chrestien Le Clerq, which is part of the eighteenth-century colonial archive of Indigenous-settler relations on…

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