Artist’s Notes: Nm’ultes is an Active Dialogue II: An Autobiographical Creative Inquiry – by Michelle Sylliboy

Artist’s Notes: Nm’ultes is an Active Dialogue II: An Autobiographical Creative Inquiry – by Michelle Sylliboy

Editor’s Note: Published in three installments, this intervention by L’nu interdisciplinary artist, poet, and scholar Michelle Sylliboy offers an Indigenous perspective on the colonial archive. In Part I: Reclaiming Komqwejwi’kasikl, Sylliboy presented the poetic gift she received from her ancestors that launched her creative journey reclaiming the komqwejwi’kasikl writing system…

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Artist’s Notes: Nm’ultes is an Active Dialogue I: Reclaiming Komqwejwi’kasikl – by Michelle Sylliboy

Artist’s Notes: Nm’ultes is an Active Dialogue I: Reclaiming Komqwejwi’kasikl – by Michelle Sylliboy

Editor’s Note: Published in three installments, this intervention by L’nu interdisciplinary artist, poet, and scholar Michelle Sylliboy offers an Indigenous perspective on the colonial archive. Sylliboy responds to the dehumanizing accounts of her ancestors in Nouvelle Relation de la Gaspésie (Paris, 1691) and reclaims the komqwejwi’kasikl language from its author,…

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Maurice-Quentin de La Tour: A Review — by Margot Bernstein

Maurice-Quentin de La Tour: A Review — by Margot Bernstein

Neil Jeffares, Dictionary of Pastellists Before 1800: Maurice-Quentin de La Tour (1704–1788) website, 2021 edition, http://www.pastellists.com/LaTour.htm. French pastellist Maurice-Quentin de La Tour (1704-1788), whose sitters included Madame de Pompadour, Jean Le Rond d’Alembert, and Voltaire, is often and justifiably lauded as a “tour de force.”[1] Neil Jeffares, the author of…

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