Journal18: a journal of eighteenth-century art and culture
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Notes & Queries

Notes & Queries

Fleshing out Surfaces: A Review – by Marieke M. A. Hendriksen

Noémie
27th February 2018
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Fleshing out Surfaces: A Review – by Marieke M. A. Hendriksen

Mechthild Fend, Fleshing out Surfaces: Skin in French Art and Medicine, 1650-1850 (Manchester: Manchester University Press, 2017), 352 pages. Understanding and depicting the anatomy and physiology of the human body was of great importance to both visual artists and medical men in the early modern period. In her new book,…

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Notes & Queries

Casanova, Art, and Eroticism – by Mary D. Sheriff

Assistant
10th January 2018
Casanova, Art, and Eroticism – by Mary D. Sheriff

Editors’ Note: Mary D. Sheriff, one of the most brilliant and beloved scholars of eighteenth-century European art, died on October 19, 2016. Among her last essays was a playful and erudite encounter with Casanova’s memoirs, seen through the prism of eighteenth-century European painting. She originally wrote it for the catalogue…

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Notes & Queries

Basic Instincts: A Review – by Craig Ashley Hanson

Assistant
27th November 2017
Basic Instincts: A Review – by Craig Ashley Hanson

Jacqueline Riding, Basic Instincts: Love, Passion, and Violence in the Art of Joseph Highmore (London: Paul Holberton Publishing, 2017), 128 pages. At every turn, contingencies pervaded London’s Foundling Hospital. Dedicated to “the Maintenance and Education of Exposed and Deserted Young Children,” the institution was, after years of debates, granted a…

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Notes & Queries

The Sovereign Artist: A Review – by Paul Duro

Assistant
13th November 2017
The Sovereign Artist: A Review – by Paul Duro

Wolf Burchard, The Sovereign Artist: Charles Le Brun and the Image of Louis XIV (London: Paul Holberton Publishing, 2016), 287pp. This impressive new study of Charles Le Brun (1619-1690) argues that the artist was not only responsible for the elaboration of the image of Louis XIV as the absolute monarch,…

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Notes & Queries

Many Gatherings: The Cosmopolitan World of a Golconda Coverlet – by Rajarshi Sengupta

Assistant
27th October 2017
Many Gatherings: The Cosmopolitan World of a Golconda Coverlet – by Rajarshi Sengupta

The Golconda Coverlet, produced in the dyeing and painting workshops of the Coromandel Coast of southeastern India during the seventeenth century, presents a glimpse into the unique cosmopolitan world of the early modern Deccan (Fig. 1).[1] The term Deccan indicates the plateau in South India surrounded by the Malabar Coast…

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Notes & Queries

Curating across Material: Reflections on “Reigning Men” and “Cross-Pollination” – by Brittany Luberda

Assistant
27th October 2017
Curating across Material: Reflections on “Reigning Men” and “Cross-Pollination” – by Brittany Luberda

Revolution confronted the visitor in “Reigning Men: Fashion in Menswear, 1715-2015,” an exhibition organized by the Los Angeles County Museum of Art that was on view at the Saint Louis Art Museum from June 25 to September 17, 2017 (Fig. 1). In the first gallery, a mannequin holding the French…

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Notes & Queries

Curators’ Notes: Swahili Arts across the Indian Ocean – by Prita Meier and Allyson Purpura

Hannah Williams
17th October 2017
Curators’ Notes: Swahili Arts across the Indian Ocean – by Prita Meier and Allyson Purpura

World on the Horizon: Swahili Arts Across the Indian Ocean is on display at the Krannert Art Museum (KAM), University of Illinois at Urbana-Champaign, from August 31, 2017 to March 24, 2018. It will travel to the National Museum of African Art, Smithsonian Institution in Washington, DC, between May 9…

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Notes & Queries

Dioramas, Before and After – by Noémie Étienne

Assistant
15th September 2017
Dioramas, Before and After – by Noémie Étienne

  Displaying historical works in contemporary art museums is a risky – yet potentially rewarding – business. Case in point: Dioramas, an exhibition curated by Claire Garnier, Laurent Le Bon, and Florence Ostende that just closed at the Palais de Tokyo in Paris and will have a second venue starting…

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Notes & Queries

America Collects: A Review – by David Pullins

Assistant
15th August 2017
America Collects: A Review – by David Pullins

In the summer of 1815, Joseph Bonaparte, Napoleon’s older brother and dethroned king of Spain, fled Europe and arrived in New York under the assumed name of the comte de Survilliers. He brought with him a veritable art museum, far beyond anything that had been seen before in the Americas.…

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Notes & Queries

Making Magnificence: A Review – by Jocelyn Anderson

Assistant
7th August 2017
Making Magnificence: A Review – by Jocelyn Anderson

Combine lime and gypsum with water, then add stone dust or sand and animal hair to strengthen it: this modest, somewhat dubious-sounding recipe produces stucco. In the seventeenth and eighteenth centuries, stucco was used to create massive illusionistic interior architecture, to frame paintings with anything from gambolling cherubs to modest…

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NOTES & QUERIES

  • Marie Antoinette Style: An Exhibition Catalogue Review – by Madeleine Luckel
  • Room for the Lost Paradise: A Symposium – by Jason M. Kelly
  • Reflections on Mai, Joshua Reynolds, and Eighteenth-Century Art — A Roundtable
  • Colonial Crossings: A Review–by Juan Manuel Ramírez Velázquez
  • A Pirate Primer? Review of Stan Douglas: The Enemy of All Mankind – by Lytle Shaw
  • The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva
  • Lethière in Williamstown and Paris: A Transatlantic Exhibition Review – by Jennifer Laffick
  • Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen
  • Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley
  • Provocations from HECAA@30 – Edited by Elizabeth Saari Browne and Dana Leibsohn
  • Liberté, Égalité, Festivité: The Opening Ceremony of the 2024 Paris Olympics – by Matthew Gin
  • Smell of the Sea: A Review of the Musée National de la Marine – by Kelly Presutti
  • Curators’ Notes: Sad Purple and Mauve: A History of Dye-Making – by Clara Drummond and Sarah K. Rich
  • Curators’ Notes: Never Broken: Visualizing Lenape Histories – by Joe Baker and Laura Turner Igoe
  • Portraits of Resistance: An Interview with Jennifer Van Horn – by Elizabeth Bacon Eager
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