Reinterpreting Porcelain Figures: A Review – by Noelle Yongwei Barr

Reinterpreting Porcelain Figures: A Review – by Noelle Yongwei Barr

In recent years, many American museums and their staff have staged revisionist interventions, urging general visitors and scholars to reframe, reimagine, and reinterpret European collections. In “Re-Presenting Art History: An Unfinished Process,” art historian Cristina Baldacci ruminates on the prefix “re-” as a hermeneutic tool strategically employed by curators to…

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Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles

Theatricalizing (and Marketing) Race in Sicardi’s “Mirate che bel visino” – by Marika Takanishi Knowles

In August 2022, while visiting the new permanent exhibition “Bordeaux au XVIIIe siècle, le commerce atlantique et l’esclavage” at the Musée d’Aquitaine, I encountered a viscerally racist image (Fig. 1). I say that I “encountered” it because the print stages itself as a meeting between the subject and the viewer by…

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Big History – by Stephanie DeGooyer

According to David Graeber and David Wengrow, the first human communities were far more “complex,” “quirky,” and “interesting” than early modern political thinkers such as Thomas Hobbes and Jean-Jacques Rousseau made them out to be. No community was ever completely brutish or egalitarian, they argue. For example, the introduction of…

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