Journal18: a journal of eighteenth-century art and culture
  • Current Issue
  • Future Issues
  • Past Issues
    • #1 Multilayered (Spring 2016)
    • #2 Louvre Local (Fall 2016)
    • #3 Lifelike (Spring 2017)
    • #4 East-Southeast (Fall 2017)
    • #5 Coordinates (Spring 2018)
    • #6 Albums (Fall 2018)
    • #7 Animal (Spring 2019)
    • #8 Self/Portrait (Fall 2019)
    • # 9 Field Notes (Spring 2020)
    • # 10 – 1720 (Fall 2020)
    • #11 The Architectural Reference (Spring 2021)
    • #12 The ‘Long’ 18th Century? (Fall 2021)
    • #13 Race (Spring 2022)
    • #14 Silver (Fall 2022)
    • #15 Cities (Spring 2023)
    • #16 Cold (Fall 2023)
    • #17 Color (Spring 2024)
    • #18 Craft (Fall 2024)
  • Notes & Queries
  • Information for Authors
  • Editorial Team
  • About
  • Contact
Meta

The Reenchantment of Humanity – by Ashley L. Cohen

Assistant
18th July 2023

In Part 8 of Capital Volume 1, “So-Called Primitive Accumulation of Capital,” Karl Marx takes on capitalism’s origin story. How to explain the existence of haves and have-nots? How is it that some people possess land and the resources to cultivate it, while others have only the skin on their backs and…

Read More

Notes & Queries

Rococo Redux: On the Bloom of The White Lotus and the Return of the Rocaille – by Sasha Rossman

Assistant
5th July 2023
Rococo Redux: On the Bloom of The White Lotus and the Return of the Rocaille – by Sasha Rossman

The distinct theme song of Mike White’s TV hit The White Lotus (WL) returned to screens around the world this past winter. This time, the opening credits paired Cristobal Tapia De Veer’s warbling sounds with a pastiche of rococo wallpaper: fountains gushed, putti and satyrs romped in a pastoral eighteenth-century…

Read More

Notes & Queries

Vivienne Westwood’s Eighteenth Century – by Robert Wellington 

Assistant
7th June 2023
Vivienne Westwood’s Eighteenth Century – by Robert Wellington 

The recent death of Vivienne Westwood (1941–2022), Britain’s most influential fashion designer of the last fifty years, gives us cause to reflect on the eighteenth-century art and fashion that inspired her designs. Taking a closer look at her collections from the 1990s reveals a deep and abiding love for eighteenth-century…

Read More

Notes & Queries

A Revolution on Canvas: A Review – by Yasemin Altun

Assistant
22nd May 2023
A Revolution on Canvas: A Review – by Yasemin Altun

Paris A. Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760–1830 (New Haven: Paul Mellon Centre for Studies in British Art in Association with Yale University Press, 2022). 384 pp.; 157 color + b-w illus. Hardcover $55. (ISBN 9781913107291) Shortly after visiting the Paris Salon…

Read More

Notes & Queries

Van Gogh: The Immersive Experience: A Review – by Kathryn Desplanque

Assistant
12th May 2023
Van Gogh: The Immersive Experience: A Review – by Kathryn Desplanque

Van Gogh: The Immersive Experience, Raleigh, NC, April 2022-2023. We are all by now aware of the immersive Vincent van Gogh exhibition phenomenon and have perhaps even encountered whispers of its many mysteries: Why do these immersive exhibitions differ so much in their quality? Exactly how many immersive van Gogh exhibition…

Read More

#15 Cities

Restorations: Coal, Smoke, and Time in London, circa 1700

Assistant
14th April 2023
Restorations: Coal, Smoke, and Time in London, circa 1700

Aleksandr Bierig Early modern London was the planet’s first coal-fired city. While the causes and timing of its transition to fossil fuel are still debated, historians have argued that the change was initially triggered in the early seventeenth century, when apparent timber shortages began driving up firewood prices in the…

Read More

#15 Cities

St. Martin’s Lane: Neighborhood as Art World

Assistant
14th April 2023
St. Martin’s Lane: Neighborhood as Art World

Stacey Sloboda Perched inside a window box, an artist in a loose smock and a skullcap bends over his unseen work, the head of sculpted putti peering over his shoulder (Fig. 1). The artist’s back is turned to an urban neighborhood dense with brick and plaster terraced buildings, older timber-framed…

Read More

#15 Cities

The City “en miniature:” Situating Sophie von La Roche in the Window

Assistant
14th April 2023
The City “en miniature:” Situating Sophie von La Roche in the Window

Anne Hultzsch Introduction When Sophie von La Roche (1730-1807), often referred to as the first female professional journalist writing in German, described Paris to her readers in 1787, she began with accounting for the role women had played in the history of this “Zauberort,” this “magical place”: “The love and…

Read More

#15 Cities

The Revolutionary Origins of the Flâneur

Assistant
14th April 2023
The Revolutionary Origins of the Flâneur

Richard Wrigley Although the figure of the flâneur—the leisurely, urban male pedestrian observer—is associated with France’s July Monarchy (1830-1848), it was already current throughout the 1820s. Yet it is striking that texts from this decade are unequivocal that the phenomenon had its roots in the Revolution. For Beauregard and Pain…

Read More

#15 Cities

The City and its Significant Other: Lived Urban Histories beyond the Comparative Mode

Assistant
14th April 2023
The City and its Significant Other: Lived Urban Histories beyond the Comparative Mode

Sigrid de Jong The eighteenth century saw an urge to draw comparisons between cities, most frequently between the two major European capitals, London and Paris. Their special relationship of rivalry, competition, and emulation found its vibrant expression in Louis Sébastien Mercier’s Parallèle de Paris et de Londres (ca. 1780): London,…

Read More

  • « Previous
  • Next »

NOTES & QUERIES

  • A Pirate Primer? Review of Stan Douglas: The Enemy of All Mankind – by Lytle Shaw
  • The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva
  • Lethière in Williamstown and Paris: A Transatlantic Exhibition Review – by Jennifer Laffick
  • Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen
  • Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley
  • Provocations from HECAA@30 – Edited by Elizabeth Saari Browne and Dana Leibsohn
  • Liberté, Égalité, Festivité: The Opening Ceremony of the 2024 Paris Olympics – by Matthew Gin
  • Smell of the Sea: A Review of the Musée National de la Marine – by Kelly Presutti
  • Curators’ Notes: Sad Purple and Mauve: A History of Dye-Making – by Clara Drummond and Sarah K. Rich
  • Curators’ Notes: Never Broken: Visualizing Lenape Histories – by Joe Baker and Laura Turner Igoe
  • Portraits of Resistance: An Interview with Jennifer Van Horn – by Elizabeth Bacon Eager
  • Jean-Louis Dupain-Triel’s Carte minéralogique de France (1781) – by Stephanie O’Rourke
  • Reinterpreting Porcelain Figures: A Review – by Noelle Yongwei Barr
  • Laboring Likeness: Charlotte Daniel Martner’s Paint Box in Martinique (1803-1821) – by Damiët Schneeweisz
  • Contained Assertions: Marie Victoire Lemoine’s Paint Box – by David Pullins
© 2025 Journal18: a journal of eighteenth-century art and culture | Theme by: Theme Horse | Proudly Powered by: WordPress