Journal18: a journal of eighteenth-century art and culture
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Notes & Queries

Notes & Queries

Curating Watteau’s Soldiers – by Aaron Wile

Hannah Williams
12th July 2016
Curating Watteau’s Soldiers – by Aaron Wile

The scene is prosaic enough. Seven soldiers are arrayed in the foreground. A crumbling archway stretches above them; there are ramparts in the distance, and more soldiers on the bridge leading there. Just off to the center, two men stand side by side, facing away from each other—the soldier on…

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Notes & Queries

Objects of Orientalism – by Siddhartha V. Shah

Hannah Williams
29th May 2016
Objects of Orientalism – by Siddhartha V. Shah

Videos of the ‘Objects of Orientalism’ symposium are available on the Clark Art Institute’s YouTube Channel. On April 29th and 30th 2016, a symposium at the Clark entitled “Objects of Orientalism” – convened by Marc Gotlieb and Mary Roberts, and supported in part by the Williams Graduate Program in the…

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Notes & Queries

Asia in Amsterdam – by Marsely Kehoe

Hannah Williams
20th May 2016
Asia in Amsterdam – by Marsely Kehoe

  Curated by Karina H. Corrigan, Jan van Campen, and Femke Diercks, on view at the Peabody Essex Museum in Salem, Massachusetts from February 27th-June 5th, 2016 (and previously at the Rijksmuseum), Asia in Amsterdam: The Culture of Luxury in the Golden Age displays 200 paintings and objects demonstrating the…

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Notes & Queries

Woven Gold: Tapestries of Louis XIV – by Robert Wellington

Hannah Williams
22nd March 2016
Woven Gold: Tapestries of Louis XIV – by Robert Wellington

For the past year, The Getty Center in Los Angeles has celebrated the reign of Louis XIV during the tercentenary of his death. Woven Gold: Tapestries of Louis XIV, which opened on December 15, 2015 and runs until May 1, 2016, is the last major event in this program. Three…

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Notes & Queries

Qing Encounters – by Craig Clunas

Hannah Williams
20th January 2016
Qing Encounters – by Craig Clunas

Petra ten-Doesschate Chu and Ning Ding, with Lidy Jane Chu, eds., Qing Encounters: Artistic Exchanges Between China and the West (Los Angeles: Getty Research Institute, 2015) This collection of sixteen essays gives a good sense of the much-increased body of work now being carried out on cultural contacts between the…

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Notes & Queries

A Lacquered Past: The Making of Asian Art in the Americas – by Sylvia Houghteling

Hannah Williams
20th January 2016
A Lacquered Past: The Making of Asian Art in the Americas – by Sylvia Houghteling

Passing through what is now southwestern Mexico in 1763, the Spanish Capuchin friar Francisco de Ajofrín paused to praise a local artist: “Today there flourishes a celebrated painter, a noble Indian named Don José Manuel de la Cerda, who has greatly perfected this faculty [of painting lacquerware], so that it…

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Notes & Queries

Castiglione and China: Marking Anniversaries – by Kristina Kleutghen

Hannah Williams
20th January 2016
Castiglione and China: Marking Anniversaries – by Kristina Kleutghen

Review of Portrayals from a Brush Divine – A Special Exhibition on the Tricentennial of Giuseppe Castiglione’s Arrival in China (October 6, 2015 – January 4, 2016)   On October 10, 1925, the Forbidden City in Beijing officially ceased to be the residence of the former imperial family and became…

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Notes & Queries

A Digitally Usable Period Room – by Anne Higonnet

Hannah Williams
21st December 2015
A Digitally Usable Period Room – by Anne Higonnet

Can a period room be brought back to life? In the spring of 2015, twelve Barnard and Columbia undergraduates and I made the attempt, in a seminar called “A Virtual Enlightenment.” We had the support of the Mellon Foundation, the collaboration of Metropolitan Museum of Art curators Jeffrey Munger and…

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Notes & Queries

Ornamenting Louis XIV – by Sarah Grant

Hannah Williams
11th December 2015
Ornamenting Louis XIV – by Sarah Grant

This has of course been quite the year for Louis XIV, with a number of events and exhibitions staged across many months to mark the tercentenary of the close of “the great” monarch’s reign. On the 5th of December the V&A held a symposium – Lambrequins and Luxury: Ornament in…

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Notes & Queries

Pastel will Travel. Liotard at the Royal Academy – by Francesca Whitlum-Cooper

Hannah Williams
1st December 2015
Pastel will Travel. Liotard at the Royal Academy – by Francesca Whitlum-Cooper

  When he advertised “a Collection of Pictures to be seen in Great Marlborough Street, facing Blenheim Street, at Mr. Liotard’s” in 1773, Jean-Etienne Liotard (1702–1789) can hardly have imagined that it would be over 240 years before a substantial number of his works were brought together again in Britain.[1]…

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NOTES & QUERIES

  • Marie Antoinette Style: An Exhibition Catalogue Review – by Madeleine Luckel
  • Room for the Lost Paradise: A Symposium – by Jason M. Kelly
  • Reflections on Mai, Joshua Reynolds, and Eighteenth-Century Art — A Roundtable
  • Colonial Crossings: A Review–by Juan Manuel Ramírez Velázquez
  • A Pirate Primer? Review of Stan Douglas: The Enemy of All Mankind – by Lytle Shaw
  • The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva
  • Lethière in Williamstown and Paris: A Transatlantic Exhibition Review – by Jennifer Laffick
  • Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen
  • Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley
  • Provocations from HECAA@30 – Edited by Elizabeth Saari Browne and Dana Leibsohn
  • Liberté, Égalité, Festivité: The Opening Ceremony of the 2024 Paris Olympics – by Matthew Gin
  • Smell of the Sea: A Review of the Musée National de la Marine – by Kelly Presutti
  • Curators’ Notes: Sad Purple and Mauve: A History of Dye-Making – by Clara Drummond and Sarah K. Rich
  • Curators’ Notes: Never Broken: Visualizing Lenape Histories – by Joe Baker and Laura Turner Igoe
  • Portraits of Resistance: An Interview with Jennifer Van Horn – by Elizabeth Bacon Eager
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