Our exhibition, Never Broken: Visualizing Lenape Histories, was held at the James A. Michener Art Museum in Bucks County, Pennsylvania from September 9, 2023 to January 14, 2024. The first room featured a salon-style hang of prints, paintings, and textiles incorporating images of Penn’s Treaty, also known as the Treaty…
The cover to Jennifer Van Horn’s Portraits of Resistance: Activating Art under Slavery (Yale University Press 2022) features a striking portrait of an aging Black woman, shoulders draped in shining stripes and head wrapped in a madras tignon (Fig. 1). While it is virtually impossible not to be captivated by…
A functional truism of eighteenth-century French cartography is that it enshrined a topographical way of understanding space—that it mapped with growing precision the features and dimensions of land surfaces.[1] The famous Cassini Map, under way for much of the century, was the first project to use triangulation to survey all…
In recent years, many American museums and their staff have staged revisionist interventions, urging general visitors and scholars to reframe, reimagine, and reinterpret European collections. In “Re-Presenting Art History: An Unfinished Process,” art historian Cristina Baldacci ruminates on the prefix “re-” as a hermeneutic tool strategically employed by curators to…
Editor’s note: This essay by Damiët Schneeweisz is a pendant to David Pullins’s Contained Assertions: Marie Victoire Lemoine’s Paint Box. Together, Pullins and Schneeweisz unpack two paint boxes that belonged to Marie Victoire Lemoine (1754-1820) and Charlotte Daniel Martner (1781-1839), bringing out how these boxes tie the material history of…
Editor’s note: This essay by David Pullins is a pendant to Damiët Schneeweisz’s Laboring Likeness: Charlotte Daniel Martner’s Paint Box in Martinique (1803-1821). Together, Pullins and Schneeweisz unpack two paint boxes that belonged to Marie Victoire Lemoine (1754-1820) and Charlotte Daniel Martner (1781-1839), bringing out how these boxes tie the…
In August 2022, while visiting the new permanent exhibition “Bordeaux au XVIIIe siècle, le commerce atlantique et l’esclavage” at the Musée d’Aquitaine, I encountered a viscerally racist image (Fig. 1). I say that I “encountered” it because the print stages itself as a meeting between the subject and the viewer by…
David Graeber and David Wengrow, The Dawn of Everything: A New History of Humanity (New York: Farrar, Straus and Giroux, 2021). 704 pages. $35.00. ISBN: 9780374157357. When every day brings more bad news about the prospects for human life on our planet, readers will find a welcome reprieve in David…
The distinct theme song of Mike White’s TV hit The White Lotus (WL) returned to screens around the world this past winter. This time, the opening credits paired Cristobal Tapia De Veer’s warbling sounds with a pastiche of rococo wallpaper: fountains gushed, putti and satyrs romped in a pastoral eighteenth-century…
The recent death of Vivienne Westwood (1941–2022), Britain’s most influential fashion designer of the last fifty years, gives us cause to reflect on the eighteenth-century art and fashion that inspired her designs. Taking a closer look at her collections from the 1990s reveals a deep and abiding love for eighteenth-century…