Journal18: a journal of eighteenth-century art and culture
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Notes & Queries

Woven Gold: Tapestries of Louis XIV – by Robert Wellington

Hannah Williams
22nd March 2016
Woven Gold: Tapestries of Louis XIV – by Robert Wellington

For the past year, The Getty Center in Los Angeles has celebrated the reign of Louis XIV during the tercentenary of his death. Woven Gold: Tapestries of Louis XIV, which opened on December 15, 2015 and runs until May 1, 2016, is the last major event in this program. Three…

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Notes & Queries

Qing Encounters – by Craig Clunas

Hannah Williams
20th January 2016
Qing Encounters – by Craig Clunas

Petra ten-Doesschate Chu and Ning Ding, with Lidy Jane Chu, eds., Qing Encounters: Artistic Exchanges Between China and the West (Los Angeles: Getty Research Institute, 2015) This collection of sixteen essays gives a good sense of the much-increased body of work now being carried out on cultural contacts between the…

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Notes & Queries

A Lacquered Past: The Making of Asian Art in the Americas – by Sylvia Houghteling

Hannah Williams
20th January 2016
A Lacquered Past: The Making of Asian Art in the Americas – by Sylvia Houghteling

Passing through what is now southwestern Mexico in 1763, the Spanish Capuchin friar Francisco de Ajofrín paused to praise a local artist: “Today there flourishes a celebrated painter, a noble Indian named Don José Manuel de la Cerda, who has greatly perfected this faculty [of painting lacquerware], so that it…

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Notes & Queries

Castiglione and China: Marking Anniversaries – by Kristina Kleutghen

Hannah Williams
20th January 2016
Castiglione and China: Marking Anniversaries – by Kristina Kleutghen

Review of Portrayals from a Brush Divine – A Special Exhibition on the Tricentennial of Giuseppe Castiglione’s Arrival in China (October 6, 2015 – January 4, 2016)   On October 10, 1925, the Forbidden City in Beijing officially ceased to be the residence of the former imperial family and became…

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Meta

Qing Encounters – by Craig Clunas

Hannah Williams
11th January 2016
Qing Encounters – by Craig Clunas

Petra ten-Doesschate Chu and Ning Ding, with Lidy Jane Chu, eds., Qing Encounters: Artistic Exchanges Between China and the West (Los Angeles: Getty Research Institute, 2015) This collection of sixteen essays gives a good sense of the much-increased body of work now being carried out on cultural contacts between the…

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Notes & Queries

A Digitally Usable Period Room – by Anne Higonnet

Hannah Williams
21st December 2015
A Digitally Usable Period Room – by Anne Higonnet

Can a period room be brought back to life? In the spring of 2015, twelve Barnard and Columbia undergraduates and I made the attempt, in a seminar called “A Virtual Enlightenment.” We had the support of the Mellon Foundation, the collaboration of Metropolitan Museum of Art curators Jeffrey Munger and…

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Notes & Queries

Ornamenting Louis XIV – by Sarah Grant

Hannah Williams
11th December 2015
Ornamenting Louis XIV – by Sarah Grant

This has of course been quite the year for Louis XIV, with a number of events and exhibitions staged across many months to mark the tercentenary of the close of “the great” monarch’s reign. On the 5th of December the V&A held a symposium – Lambrequins and Luxury: Ornament in…

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Notes & Queries

Pastel will Travel. Liotard at the Royal Academy – by Francesca Whitlum-Cooper

Hannah Williams
1st December 2015
Pastel will Travel. Liotard at the Royal Academy – by Francesca Whitlum-Cooper

  When he advertised “a Collection of Pictures to be seen in Great Marlborough Street, facing Blenheim Street, at Mr. Liotard’s” in 1773, Jean-Etienne Liotard (1702–1789) can hardly have imagined that it would be over 240 years before a substantial number of his works were brought together again in Britain.[1]…

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Notes & Queries

Ceci n’est pas un portrait: A Curator’s Diary – by Melissa Percival

Hannah Williams
24th November 2015
Ceci n’est pas un portrait: A Curator’s Diary – by Melissa Percival

  Melissa Percival writes about her experience of preparing a new exhibition of fantasy figures with the Musée des Augustins in Toulouse. Exeter, Thursday 5th November Next week it all becomes real. I’ve received a spreadsheet with a detailed delivery schedule of 78 old master paintings borrowed from all corners…

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Notes & Queries

China in Wonderland – by Michelle Wang

Hannah Williams
21st November 2015
China in Wonderland – by Michelle Wang

In the Lizzie and Jonathan Tisch Gallery of the China Through the Looking Glass show at the Metropolitan Museum of Art, a flat, uncut semiformal robe for the Jiaqing Emperor (r. 1796-1820) was suspended next to a Dries Van Noten Autumn/Winter 2012-13 ensemble, comprised of a jacket cinched at the…

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NOTES & QUERIES

  • Room for the Lost Paradise: A Symposium – by Jason M. Kelly
  • Reflections on Mai, Joshua Reynolds, and Eighteenth-Century Art — A Roundtable
  • Colonial Crossings: A Review–by Juan Manuel Ramírez Velázquez
  • A Pirate Primer? Review of Stan Douglas: The Enemy of All Mankind – by Lytle Shaw
  • The Art Collection of the French Royal Academy of Painting and Sculpture: Notes on the Database – by Sofya Dmitrieva
  • Lethière in Williamstown and Paris: A Transatlantic Exhibition Review – by Jennifer Laffick
  • Beijing to Dresden via St. Petersburg: An Early Qing Enameled Snuff Bottle in the Collection of Augustus II the Strong – by Kristina Kleutghen
  • Lubaina Himid’s Naming the Money at the Entangled Pasts, 1768-now exhibition, Royal Academy, London – by Geoff Quilley
  • Provocations from HECAA@30 – Edited by Elizabeth Saari Browne and Dana Leibsohn
  • Liberté, Égalité, Festivité: The Opening Ceremony of the 2024 Paris Olympics – by Matthew Gin
  • Smell of the Sea: A Review of the Musée National de la Marine – by Kelly Presutti
  • Curators’ Notes: Sad Purple and Mauve: A History of Dye-Making – by Clara Drummond and Sarah K. Rich
  • Curators’ Notes: Never Broken: Visualizing Lenape Histories – by Joe Baker and Laura Turner Igoe
  • Portraits of Resistance: An Interview with Jennifer Van Horn – by Elizabeth Bacon Eager
  • Jean-Louis Dupain-Triel’s Carte minéralogique de France (1781) – by Stephanie O’Rourke
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